Recent Awards

Kresek, Daily Life of Plastic Bags. by Cynthia Delaney Suwito. Kresek is the rustling of plastic bags in Bahasa Indonesia. It is also the title of this light-hearted wordless comic, revolving around the little movements of the plastic bag.

This book offers a fresh perspective of the plastic bag by giving the common object a face and a personality. Following the earthly adventures of the plastic bag, this book invites people to give the plastic bag more thought, connecting to it and examining its place in today’s cultures. When we have hopefully passed the plastic bag obsession in the future, this book will be a reminder of a behaviour that we once had.

Flowers of Lhasa by Tsering Yangkyi, translated from the Tibetan by Christopher Peacock

Flowers of Lhasa is a stark and urgent tale of four young women thrown into the seedy underbelly of a sacred city undergoing rapid change.

Tsering Yangkyi’s novel paints a vivid portrait of Lhasa, Tibet’s cultural and religious capital. This is a holy city where thousands of pilgrims daily circumambulate the Potala Palace and the Jokhang Temple, but it is also a modern city, with all the problems of the modern world. While immersing us in the vibrant uniqueness of Tibetan life, Flowers of Lhasa also paints a haunting picture that deals with global and timely concerns.

The Goverment Inspector for Two Actors. Ukrainian literature master, Nikolai Gogol‘s The Government Inspector, translated and adapted for two actors by Roger Pulvers. (Published: 30 March 2022)

New Books

A-Maze : Myanmar’s Struggle for Democracy, 2011-2023:

by Ma Thida. Translated from the Burmese by Maung Zaw

“The book gives a gripping account of the days after the 2021 coup, and chronicles what went on in the minds of the citizens fighting for democracy. Ma Thida walks us through the Maze that Myanmar has trapped itself in, in fact since way before the 2021 coup. Readers will find this book is not a record of events. Ma Thida is urging us to find the way out of the Maze.” — Aiko Doden (Journalist, NHK, Japan Broadcasting Corporation)

Yoghurt and Jam (or How My Mother Became Lebanese):

by Lena Merhej, Translated from the Arabic by Nadiyah Abdullatif and Anam Zafar

Discovering how her mother likes her yoghurt sparks a captivating exploration of what led her mother from Germany to Lebanon, as well as triggering Lena’s quest for self-discovery. Blending humour with poignant reflections, Lena delves into her mother’s life as a doctor during the Lebanese Civil War, challenging East-West clichés and embracing the complexities of hybrid identity. (Graphic Memoir, Winner of English Pen Award 2023)

Diasporic: Short Stories by Soon Ai Ling, Translated by Yeo Wei Wei

In Soon Ai Ling’s fiction, newly translated into English by Yeo Wei Wei, the lives of twentieth-century Chinese diaspora unravel in the midst of emblems and environments resplendent with cultural influences from East and Southeast Asia.

Clan: Short Stories by Soon Ai Ling, Adapted and Transcreated by Yeo Wei Wei

The past gets in the way of present and future possibilities, yet without it, what hope is there for self-knowing and wisdom? These questions are explored in Yeo Wei Wei’s transcreation and adaptation of Soon Ai Ling’s stories.

Bearing Word by Liu Liangcheng, translated by Jeremy Tiang

Set in Liu Liangcheng’s home region of Xinjiang during ancient times, Bearing Word explores the power of sound and the many languages scattered across the vast expanse of the Gobi Desert, in a narrative set against the backdrop of a century-long war.

Dinner for Six by Lu Min, translated by Nicky Harman and Helen Wang

Under the stench of factory skies, two single parents and their four teenaged children gather together for Saturday dinners. In a story about growing up and the complications of family life, two generations of lonely individuals come together against the odds, learning to love as they traverse the long and arduous journey of life.

Song of the Soil by Chuden Kabimo, translated from the Nepali by Ajit Baral

Set in the foothill town of Kalimpong in the Himalayas, Song of the Soil brings alive the story of the revolution for a separate state of Gorkhaland in the late 1980s and lays bare the many faces of violence. In doing so, it asks the vital question: Who ultimately wins in a revolution—and who loses?

Song of the Soil is a shining example of how one can write about a violent incident without recreating the violence. The author blends bildungsroman with a conflict story with great dexterity, bringing out new aspects of both forms. This book is able to make poetry out of brutal situations, but does so with honesty, humour, and gentleness.’— The JCB Prize for Literature 2022 Jury